Moog GrandMother, ARP2600, Roland JV-2080 - Berlin School 2024-02

video upload by marine records

"A Berlin School demo.
The Moog GrandMother sequencer controls the ARP2600M by CV / gate, and the JV-2080 by MIDI.
Boss DM-2w / RV-5 / TE-2
EHX Small Stone

composed, performed, recorded by SELLIER.Y
(arp)

marine records 2024"

ARP Odyssey 2017 (Korg) - Sound Demo (marine records)

video upload by marine records

"This video shows some examples of what the Odyssey can do.
It has the particularity of being halfway between a semi-modular and a non-modular synth, therefore even it is able to play lead and bass, it is also strong to make sound effects.

00:10 sequence 01
00:50 computer hesitation
01:20 wide tuning range VCO
02:00 pulsar
02:38 intergalactic forest
03:42 electrical room
04:18 bass drum
04:52 cosmic bubulles
05:26 sequence 02
06:25 crazy sound
06:44 baby try to speak
07:42 triggered by Roland Drumatix
08:35 random experiment
09:33 suffocating scream
10:24 sample & hold - ring modulator
11:15 spaceship self-destruction alert
11:56 funky bass (final)

This is a reworked version of this older video:"

ARP Odyssey 2015 sound demo (marine records)

arp - impro 音乐即兴 2023年12月19日 (TR-909, JX-3P, SH-101, V-synth, Wavestation)

video upload by marine records

Roland TR-909, V-synth, SH-101, JX-3P
Korg Wavestation

composed, performed, recorded by SELLIER.Y
(arp)

marine records 2023

solo on ARP Odyssey 2015 (Korg)

video upload by marine records

"composed, performed, recorded by SELLIER.Y
(arp / Aristide de Corcelles / Corshagwen)

marine records 2023"

Corshagwen - impro 2023-09-06 (SH-101, TR-909, JX-3P)

video upload by marine records

"Roland : SH-101 / JX-3P / TR-909 / TR-626 / V-synth
Yamaha : Montage

composed, performed, recorded by SELLIER.Y
(Corshagwen)

marine records 2023"

arp - impro du 音乐即兴2023年10月07日 (TR-606, JX-3P, Montage6, Gaia)

video upload by marine records

"Roland TR-606, Gaia SH-01, JX-3P, V-synth
Yamaha Montage

composed, performed, recorded, bla bla bla, by SELLIER.Y
(arp)

marine records 2023"

improvisation with the Moog SubPhatty 2023年12月12日 音乐即兴

video upload by marine records

"A little improvisation while recording a new track, searching for an appropriate solo. Even I am a poor keyboardist, this synthesizer provides me lot of fun.

composed, performed, recorded by SELLIER.Y
(arp / Aristide de Corcelles / Corshagwen)

marine records 2023"

La Fraicheur/ Leonard de Leonard: Sang Froid(Live Trailer Edit)

Published on Oct 8, 2019 Sound Provider

Track: Sang Froid From Sang Chaud Ep
Longtime collaborators La Fraicheur & Leonard de Leonard are coming up with a techno live performance with brand new material, mixing analog, digital and modular, from which the two original tracks from the Sang Chaud EP are the first excerpts, giving a glimpse into their acid and industrial sound ruffed up by a punk energy.
Sang Chaud EP
written and produced by La Fraicheur & Leonard de Leonard
mixing and mastering by Leonard de Leonard at Sound Provider, Berlin
out on Leonizer Records, October 25th 2019
Video & artwork by Loic Sattler

Booking :
France & International: Marine(At)myfavorite.fr
Switzerland: Nadia(At)gladwemet.ch

La Fraicheur/ Leonard de Leonard: Sang Chaud (Live Trailer Edit)

Published on Sep 16, 2019 Sound Provider

"Longtime collaborators La Fraicheur & Leonard de Leonard are coming up with a techno live performance with brand new material, mixing analog, digital and modular, from which the two original tracks from the Sang Chaud EP are the first excerpts, giving a glimpse into their acid and industrial sound ruffed up by a punk energy.

Sang Chaud EP
written and produced by La Fraicheur & Leonard de Leonard
mixing and mastering by Leonard de Leonard at Sound Provider, Berlin
out on Leonizer Records, October 25th 2019
artwork by Loic Sattler

Booking :
France & International: Marine(At)myfavorite.fr
Switzerland: Nadia(At)gladwemet.ch"

Tone Science Module No​.​2 Elements and Particles (DiN​:​TS02)

"Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.

DiN was initially set up in 1999 by well known UK synthesist Ian Boddy to bridge the gap between the analogue music of his heritage and the emerging digital possibilities of the future. This label has always forged its own independent path and to date has released 56 physical CD albums as well as 21 download only releases.

Even after being involved in music since the late 1970’s Boddy has continued to explore new sonic territories and in 2016 he released what was probably his most experimental album in “Tone Science” (DiN48). This album comprised five long, slowly evolving self playing compositions realised entirely on his vast arsenal of modular synthesisers. Boddy’s love of the analogue sound has been well documented not only through his own releases but many sound and sample libraries. These instruments all but disappeared in the 1990’s but recent years has seen an unprecedented growth in interest in this form of synthesiser with a proliferation of both module manufacturers and performers using these highly flexible and personal systems.

Thus, inspired by his “Tone Science” release, Boddy has set up this sub-label to feature artists and performers working in the field of modular synthesis. The first release “Module No.1 Structure and Forces” was released in March 2018 and has garnered a lot of critical acclaim. This second compilation “Module No.2 Elements and Particles”, like its predecessor, features nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.

The album opens and closes with the ambient soundscapes of two tracks by Todd Barton and
 r beny. Barton is a world renowned exponent of Buchla modular systems as well as the Music Easel employed on this track. Austin Cairns (aka r beny) has a penchant for lo-fi looped synth atmospheres which combined, in this case, with a field recording creates a haunting, evocative piece. The next three pieces by Bluetech, Parallel Worlds and Paul Nagle build up rhythmic and sequenced elements with a fascinating amount of detail that modular systems are so good at. They also all use various methods to produce a poly-rhythmic, fractal feel as patterns shift and change throughout their tracks. The middle of the album then sees a fascinating experimental ambient interlude by Dave Bessell (a member of the synth group Node) using waveguide physical modelling in the analogue domain. The second half of the album has a rawer, more gritty feel with Richard Quirk building up a crescendo of wonderful textures in his track “Radar Hill”. This is followed by Hainbach using the exotic Ciat-Lonbarde series of hand built instruments to produce, in his words, a piece of “pure electronic music”. Nathan Moody then brings proceedings to a climax with a gnarly, muscular track using a Buchla modular system before the blissful ending piece “Marine Layer” closes out the 60 minute sonic journey the listener has just travelled.

Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gear’s sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Ciat-Lonbarde modular systems and the nine tracks show how varied and flexible these instruments can be.

“Tone Science Module No.2 Elements and Particles” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.
credits
releases October 19, 2018

1. Todd Barton Floating World 8:41
This is an exploration of layering various timbres and textures, each having its own
diverse panning structure and speed. Performed on a Buchla Music Easel with a
TC Electronic Ditto x4 looper and TC T2 reverb.
toddbarton.com

2. Bluetech Magnetic Lullaby 6:36
Multitracked sequencers in long takes at different clock speeds to get a fractal layer of shifting melodies evolving at different rates with Strymon modulation at different times for complexity.
bluetechonline.com

3. Parallel Worlds Additive Procedure 5:56
Eurorack, Analogue Systems and Serge modular systems, using harmonics created via waveshaping/wavefolding & the Verbos Harmonic Oscillator & RS370/375 Polyphonic Harmonic Generator.
parallel-worlds-music.com

4. Paul Nagle Euneirophrenia 7:52
The peaceful state of mind after a pleasant dream. In this mellow polymetric excursion, Cirklon's CVIO juggles a Quadnic, NW1, Plonk, Rings and Plaits.
bogusfocus.com/pn/

5. Dave Bessell Overtone 6:37
Between two worlds, the technical and the theatre of the imagination, the apparently real and the obviously synthetic play hide and seek with your perception. Realised with an all analogue signal path, this is a study in waveguide physical modelling.
sites.google.com/site/davebessellmusic/home\

6. Richard Quirk Radar Hill 7:22
This track is taken from an ongoing collection of music based on abandoned radar stations. Created with an AJH Eurorack system along with a Voltage Multistage, Bark filter, Magneto delay, Radiomusic and a tube Echoplex.
richardquirkmusic.bandcamp.com

7. Hainbach Your Strange Glitter 5:02
Aiming for purity I focused entirely on the Ciat-Lonbarde Plumbutter, Sidrax and Cocoquantus. I wanted this piece to feel like “synthesizer music”, clear and shimmering, yet alien, not rooted in a real acoustic space.
hainbachmusik.com

8. Nathan Moody Prophet And Loss 5:02
This piece was created using a Buchla modular synthesizer (200 & 100 series modules) as a meditation on the false piety of tyrannical populists in the early 21st Century.
nathanmoody.bandcamp.com

9. r beny Marine Layer 7:02
Fog conjuring with Mutable Instruments Rings loops being processed by Orthogonal Devices ER-301, Mannequins Three Sisters, and Strymon Magneto.
rbeny.bandcamp.com


Total Time 60:24
license
all rights reserved"

Follow-up to:
Tone Science Module No.2 Elements and Particles Demo Mix
Todd Barton Autumn Tour & New Release

Tone Science Module No.2 Elements and Particles Demo Mix

Tone Science Module No.2 Elements and Particles, set to be released on Oct 19, features the following supporters of MATRIXSYNTH: Todd Barton, Parallel Worlds, and Dave Bessel.

Details:

"Various Artists Tone Science Module No.2 Elements and Particles DiN:TS02

Release date 19th October 2018

Limited to 500 copies. Digipak CD format.

Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.

This second compilation “Module No.2 Elements and Particles”, like its predecessor, features nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.

The album opens and closes with the ambient soundscapes of two tracks by Todd Barton and
 r beny. Barton is a world renowned exponent of Buchla modular systems as well as the Music Easel employed on this track. Austin Cairns (aka r beny) has a penchant for lo-fi looped synth atmospheres which combined, in this case, with a field recording creates a haunting, evocative piece. The next three pieces by Bluetech, Parallel Worlds and Paul Nagle build up rhythmic and sequenced elements with a fascinating amount of detail that modular systems are so good at. They also all use various methods to produce a poly-rhythmic, fractal feel as patterns shift and change throughout their tracks. The middle of the album then sees a fascinating experimental ambient interlude by Dave Bessell (a member of the synth group Node) using waveguide physical modelling in the analogue domain. The second half of the album has a rawer, more gritty feel with Richard Quirk building up a crescendo of wonderful textures in his track “Radar Hill”. This is followed by Hainbach using the exotic Ciat-Lonbarde series of hand built instruments to produce, in his words, a piece of “pure electronic music”. Nathan Moody then brings proceedings to a climax with a gnarly, muscular track using a Buchla modular system before the blissful ending piece “Marine Layer” closes out the 60 minute sonic journey the listener has just travelled.

Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gear’s sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Ciat-Lonbarde modular systems and the nine tracks show how varied and flexible these instruments can be.

'Tone Science Module No.2 Elements and Particles' continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.

01 Floating World by Todd Barton 8:41
02 Magnetic Lullaby by Bluetech 6:36
03 Additive Procedure by Parallel Worlds 5:56
04 Euneirophrenia by Paul Nagle 7:52
05 Overtone by Dave Bessell 6:37
06 Radar Hill by Richard Quirk 7:22
07 Your Strange Glitter by Hainbach 5:02
08 Prophet & Loss by Nathan Moody 5:02
09 Marine Layer by r beny 7:02

Total Time: 60:24

Released by: DiN

Release date:
19 October 2018"

ANGLE - LANDING

ANGLE - LANDING from Tiptop Film on Vimeo.

www.tiptoprec.com

Distribuited by Wordandsound

An intimate and triumphal atmosphere, such as the rise of the sun in the morning, welcomes a nymph appearing from the seawater.

The discovery of some stone heads, memories of a past time, mark the path from the sea to the dense forest.

The passage of time is beaten by continuous timelapses; the light shape the rocks, pierce the treetops and crosses the clouds, the wind ruffles the water of the lake and get the nymph's hair swayed.

In this worldview, music represents a universal language.

Un'atmosfera intimista e trionfale come il sorgere del sole al mattino accoglie una ninfa nascente dalle acque marine.

La scoperta di alcune teste in pietra, memorie di un tempo passato, segnano il percorso dal mare al fitto bosco.

Lo scorrere del tempo è scandito da continui timelapse; la luce scolpisce le pietre, penetra le fronde degli alberi e solca le nuvole, il vento increspa l'acqua del lago e fa ondeggiare i capelli della ninfa.

In questa visione del mondo, la musica rappresenta un linguaggio universale.

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